My new solo piece, Walking Towards Ithaca, will be part of Hull Truck’s Grow Season.
It combines the story of a 200-mile walk across Britain at a time of deep political conflict with reflections on Homer’s Odyssey. .
Blurring the boundaries between documentary, autobiography and myth, it’s a show that reflects on the complexities of human connection and belonging in world of anger and alienation.
A few images of Dancing Through Storytime at Halton Library and York Explore. Who knew stories were so exhausting?!?
My new interactive dance piece, Dancing Through Storytime, will be on in October.
It’s an interactive performance for families, integrating dance, movement and storytelling. During the 15 minute performance children aged 4-8 and their grown ups will hunt for sea creatures, get lost in a forest and float into space. It’s a show for everyone who has ever wanted to jump into their storybook.
13th October at Halton Library in Leeds. 11-1pm
20th October at York Explore Library. 10-4pm
I was very pleased to share my new interactive dance piece ‘Otherwise We Are Lost’ during my residency at Yorkshire Dance last week. The piece explores how scenography and design might be used to choreograph the audience’s movement. It draws a lot on my work with the Feldenkrais Method and my recent experiences with parkour.
I am proud to announce the publication of a special issue of Theatre, Dance and Performance Training that I’ve edited. The issue looks at the ways in which performance training has responded to rise of interactive, immersive and participatory aesthetics in performance. It includes an article that I’ve written about connecting techniques associated with the Stanislavskian tradition of acting to the aesthetics of live art and interactive performance.
Check it out here: https://www.tandfonline.com/toc/rtdp20/9/2
A few pictures from Philomela and her Sisters, which was commissioned for this year’s Theatre Without Borders conference at the University of Hull. The piece sought to explore and critique the treatment of female characters in Classical and Renaissance revenge tragedy. It connects dialogues surrounding #MeToo and #TIMESUP to a selection of works from the Western literary canon. (Virgil’s Aeneid, Ovid’s Metamorphoses, Euripides’ Hecuba and Shakespeare’s Titus Andronicus.) I am pleased to say that it will be back in Hull later this year.
Performers: Catherine Marsh, Caitlin McPhilemy, Kira Curtis, Sophie Stones.
Projection Mapping: Ed Denning.
Sound Design and Live-mixing: Jamie Nowell
Dramaturgy: Christian Billing.
Direction and Design: Campbell Edinborough
Photos courtesy of Cat Fergusson-Baugh
My new solo piece How To Look will be presented as part of ‘Hold Everything Dear: Performance, Politics and John Berger’, at the Bathway Theatre, University of Greenwich on 14th April. Inspired by the writings of John Berger, it integrates dance and spoken text to reflect on the complexities of looking and be looked at.