Training for Immersive, Interactive and Participatory Performance

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I am proud to announce the publication of  a special issue of Theatre, Dance and Performance Training that I’ve edited.  The issue looks at the ways in which performance training has responded to rise of interactive, immersive and participatory aesthetics in performance.  It includes an article that I’ve written about connecting techniques associated with the Stanislavskian tradition of acting to the aesthetics of live art and interactive performance.

Check it out here: https://www.tandfonline.com/toc/rtdp20/9/2

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