An image of Kelsey Burns and me during research and development at NYU in the spring. The project was looking at the how we might use somatic practices and contemporary performance aesthetics to stage/adapt/appropriate Titus Andronicus. I’m excited to say that I’ll be developing this work further with Christian Billing in 2018 at the University of Hull. We’re making a mash up of Ovid, Titus and Hecuba to present to the esteemed folk from Theatre Without Borders.
I am editing a special issue of the journal Theatre, Dance and Performance Training, focusing on training for immersive, interactive and participatory performance. The deadline for proposals for articles and essays is the 30th of November.
I went to meet with a Stroke Association Communication Support Group this week – talking about what life is like after stroke. It was pretty humbling. The conversation was the first stage of a project that seeks to find ways of representing some of those experiences using storytelling, dance and music. I will be collaborating with the saxophonist Jesse Bannister and the dancer Annika Kompart.
There will be a presentation of work in development in the Donald Roy Theatre at the University of Hull on April 21st at 7:30pm. It will be followed by a discussion with the audience and stake-holders.
This project is kindly supported by the Ferens Educational Trust.